How does House of Tracks protect the anonymity of trap ghost producers?

Ghost production is quite common in reggaeton, with many top hits being produced by uncredited producers behind the scenes.

Artists may use ghost producers to maintain a consistent output, explore new sounds, or focus on other aspects of their career like performing and marketing.

Some argue that ghost production diminishes authenticity, while others see it as a standard industry practice that allows for collaboration and efficiency.

Successful ghost producers need strong production skills, knowledge of current reggaeton trends, and the ability to adapt to different artists' styles.

Earnings vary widely, but top ghost producers can make thousands of dollars per track, with potential for royalties in some agreements.

Legal issues can arise if contracts are not clear about ownership and credit, or if ghost producers claim rights to songs after their release.

Some ghost producers do transition to becoming credited producers or artists, using their behind-the-scenes experience as a stepping stone.

Technology has made it easier for ghost producers to collaborate remotely, share files, and create professional-sounding tracks with minimal equipment.

Ghost production is relatively common in bass house, with many established artists using ghost producers to supplement their output.

House of Tracks works with experienced producers skilled in bass house production, ensuring high-quality tracks that meet industry standards.